Rinzai Did Nothing Wrong.

  I've been reading, recently, about the life of Robert Kelly, whom you'd recognize from *Space Jam*'s soundtrack, the "Ignition" remix, and his many other hits, such as "Trapped in the Closet". It just breaks my heart to see how he was treated, not just as a child who had to grow up much too fast, but also as an adult, even after having given us such heartfelt, soulful music. I could never reconcile those sweet and sentimental, loving, sometimes mystifying tones with the entire image of a sex offender; he was a Don Juan, but not Don Giovanni.   Clearly, that same mainstream media that made him famous had betrayed him, while the legal system, which was never there for him when he himself most needed and deserved it, in the tenderness of youth, went well beyond its obligations in defence of "children". The hypocrisy is not the part which angers me, as it is so ironic that it's laughable, and that alleviates some of the sadness of this gr

“However well-meaning and strong the individual man may be (if he could only use his strength), he still has not the passion to be able to tear himself from the coils and seductive uncertainty of reflection. Nor do his surroundings supply the events or produce the general enthusiasm necessary in order to free him. Instead of coming to his help, his milieu forms around him a negative intellectual opposition, which juggles for a moment with a deceptive prospect, only to deceive him in the end by pointing to a brilliant way out of the difficulty — by showing him that the shrewdest thing of all is to do nothing.”   -    S.A. Kierkegaard.   The Present Age , by Soren Kierkegaard . Consider three good premises for narratives; you’ll find they have a lot of shocking, almost (dare we say it?) Archetypal Similarities:   I.             A Boy falls down a well (or well-like fissure in the ground) and finds himself (both literally and in metaphor) down in some form of Hellish Wonderlan